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G-8 and His Battle Aces Audiobook # 18 The Death Monsters - 5 hours [Download] #RA441D
G-8 and His Battle Aces #18 Audiobook - The Death Monsters

5 hours - Digital Download

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Product Code: RA441D

G-8 and His Battle Aces #18 Audiobook
The Death Monsters
by Robert J. Hogan
Read by Nick Santa Maria
Out of war-torn skies soars…G-8 and His Battles Aces! The greatest combat pilot of the War to End All Wars, G-8’s true name was stricken from all official records. Flying a supercharged warplane, backed by his wild wingmen, Bull Martin and Nippy Weston, G-8 fought the most horrific foes the Kaiser could throw at him.
Popular Publications President Harry Steeger and his executive editor, Rogers Terrill, decided to enter the new field of pulp magazines built around a single hero. They enlisted popular aviation fictioneer Robert J. Hogan to help conceive G-8 and his Battle Aces. Steeger and Hogan hashed out an idea. It was part Eddie Rickenbacker and part What Price Glory?
Steeger and Hogan agreed that the new series would soon grow stale of they didn’t spice it up with elements of the fantastic. This recipe ranged from merely super-scientific death rays to unabashedly supernatural manifestations. Nothing was taboo in G-8. Hogan was a pioneer of over-the-top plotting generations before the term was invented.
Before it was all over, G-8 battled weird menaces ranging from Martians to Zombies, with assorted undead minions of the Kaiser sandwiched in between. If Hogan couldn’t concoct a fresh beast-man, why, a clutch of cave men or freshly-defrosted Viking berserkers would keep readers riveted.
The Death Monsters is one of the wildest and weirdest novels in the series’ long run. In this nightmare story, Herr Doktor Krueger, frustrated at being thwarted by the Master Spy time and again, deploys his most diabolical creations yet––the Ulp. What are they? Let’s just say that Krueger may have gotten his inspiration from reading the works of H. P. Lovecraft....
This stupendous audiobook is brought to life by Nick Santa Maria and was originally published in the March, 1935 issue of G-8 and his Battle Aces magazine. Prepare to follow a sky-trail of terror with G-8 and his unflappable wingmen...
Nick DeGregorio composed the music for the G-8 and His Battle Aces series of audiobooks.
Chapter 1: Herr Doktor Krueger
Chapter 2: Secret Agent
Chapter 3: Spy Bait
Chapter 4: Elephant Tracks
Chapter 5: Night Flight
Chapter 6: Death Reaches Down
Chapter 7: Hell Trap
Chapter 8: Captured
Chapter 9: Prison
Chapter 10: The Beast Factory
Chapter 11: The Ulp
Chapter 12: Death of the Ulp
Chapter 13: The Wireless Set
Chapter 14: Escape
Chapter 15: The Ulp Drive
Chapter 16: Ulp Poison

Nick Santa Maria Nick was born early in life in Brooklyn, NY. His theatrical background is based in Comedy Improv. He was a long standing member of the late lamented Miami based, Mental Floss, where he served as head writer/composer. From there he began his career in commercials, voice-overs, TV, Film, and theatre. He has performed in many roles on the stage including his award winning turn as Nick in Over The River And Through The WoodsI Love You, You’re Perfect, Now Change, as Nathan Detroit in Guys and Dolls, in The 25th Annual Putnam Country Spelling Bee as Mr. Panch (3-D Theatricals), Mr. Bromhead in No Sex Please, We’re British at The Norris, and as Pseudolus in, A Funny Thing Happened on the Way to the Forum at the Norris Theatre. Television: The Buffalo Bill ShowB.J. Stryker, and two Disney Christmas Specials. Off Broadway: Writer/Composer/Performer on Secrets Every Smart Traveler Should Know, Soundtrack on RCA Victor. Broadway: Vince Fontaine in Tommy Tune’s production of Grease. He also appeared in every domestic company of Mel Brooks’ The Producers, understudying everyone from Nathan Lane and Jason Alexander, to Tony Danza and David Hassellhoff. He was the original Genie in Disney’s Aladdin, a Musical Spectacular, soundtrack on Disney Records. Nick is a resident of Los Angeles and is currently writing a book about classic film comedians, Nick’s been a long time film historian, and has written several articles on the topic.
Nick DeGregorio is a composer and conductor with over 100 theatrical musical direction credits including a Helen Hayes Awards, Best Musical Direction nomination for his work on DeafWest’s Big River at the Ford’s Theatre in Washington DC. Nick’s conducted and/or played for Randy Newman, Bernadette Peters, Marvin Hamlisch, Lorna Luft, Juliet Prowse, Morey Amsterdam, John Denver, Carol Channing and Glen Campbell and was MD for Hal Linden, Dorothy Lamour (5 years) and the LA Friar’s Club roast of Carl Reiner. He’s provided musical direction at many regional theatres around the country and was associate conductor for the Broadway tours of 42nd Street and Big River and the PCLO/Nederlander tour of Doctor Dolittle.
Nick’s conducted the Phoenix Symphony, the Nelson Riddle Orchestra and Les Brown’s Band of Renown and has played piano with the St. Louis, San Jose, Utah, Ottawa, Rochester, Baltimore, Winnipeg, Florida and Pittsburgh Symphony Orchestras. On Broadway, Nick played piano for 42nd Street. Off-Broadway, Nick wrote the orchestrations for Fanny Hill and orchestrated for Lorna Luft’s show and Barry Manilow produced recording, Songs My Mother Taught Me. He’s done orchestrations for the Key West Pops and also for Mitzi Gaynor’s new show, Razzle Dazzle. As a composer, Nick has worked on projects for BBC-TV, Random House Entertainment, Mike Young Productions, Scholastic Entertainment, Coyne Communications and Paramount Pictures. He has also written seven musical comedies, the latest, High School Reunion, was recently listed in the Samuel French catalog.

Average Customer Review: Average Customer Review: 5 of 5 5 of 5 Total Reviews: 1 Write a review

  0 of 0 people found the following review helpful:
5 of 5 G-8's Weirdest Adventure May 28, 2022
Reviewer: Mr. Gary Ireland from Darwen, Lancs United Kingdom  
This is probably my favourite G-8 adventure (though I've not read/listened to  them all). Without giving too much away along with the expected mix of air spy action there is a genuine eeriness to this story. The audio production is great too with a pure pulp feel to it. Definitely recommend this.

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